After selling my first film to Swedish Television when I was a teenager, I purchased professional equipment and began to study the techniques of filming with a goal of becoming a good documentary/wildlife filmmaker. I was soon hired to work with Nils Dahlbeck at Swedish Television in Gothenburg. Having retired from his job as CEO of television, Nils had begun producing his own films for a nature program called, “Back to Nature with Dahlbeck.” I became acquainted with many people working at television. One later became my mentor, helping me with several of my early productions. One thing he often told me was, ”To be good at filming you must first learn to edit.”
Many of the films we see on YouTube or other Internet channels could, with a little editing, be fantastic documentaries. My mentor was correct when he said that a good film starts in the editing room. Through our organisation, Naturfilmarna – Swedish Wildlife Filmmakers, we have held several classes in filming and editing. Not only do our students learn to produce a better film, they are inspired and realise that editing is exciting and fun. They often become so engrossed in their new skills that they work late into the night. If you enjoy filming, but consider editing a chore, my advice is that you learn the secrets of editing and you’ll soon discover new possibilities for your film.
I’m a little late getting this blog published this week because I, and several of my colleagues from Naturfilmarna, have been at The Swedish Outdoor Show (Vildmarksmässan) where I was asked to hold a film school. Twice a day I lectured on why someone becomes a wildlife filmmaker and about some of my adventures in filming. I shared a little about working with the Kodiak bear in Alaska, the Ceylon elephants on Sri Lanka, and about our latest project, Himba – the Red People. One of the most important aspects of my job is presenting my work to an audience. Standing in front of a group of people I can almost feel their excitement as they experience the adventure through my words, and a responsive audience fuels me to tell my story with even greater enthusiasm. This weekend at The Swedish Outdoor Show we met lots of interested and interesting people who wanted to know more about wildlife filmmaking.
Some of the people who come to the Outdoor Show are a bit “unusual” with stories of their own. Perhaps you need to be a little eccentric to venture out into the great unknown, feeling comfortable in unusual circumstances that lead to incredible adventures. One of those people who came by to talk to me was Marcus Aspsjö, the son of good friends of ours. A young adventurer I’ve known since the day he was born. His next adventure this summer will be to paddle the Yukon River from Whitehorse, Canada till the Bering Sea on a SUP (Stand Up Paddleboard). Since I’ve been working in Alaska for over 30 years we had a lot to talk about. One of the things we talked about was safety, something that, as a role model, Marcus needs to be vigilant about. My advice was to be prepared for the unexpected. Most people think bears are the greatest danger while traveling through Canada’s and Alaska’s wilderness, but most injuries are caused by mistakes made when your not paying attention. Then the bear, with all his power, is the least of your problems. Follow Marcus at https://www.facebook.com/adventurecalling/
Home again, I head back into the studio for the final editing of our next film, “The Tom Coleman Story.” Next week I’ll tell you a little about this remarkable life lived in the service of others.