Category Archives: Wildlife/Documentary Filming

Meeting Elsa

Elsa Lundh and Stefan Quinth
Elsa and I outside the little cabin where she lived with her mother after being released from the asylum.

The first time I met Elsa was just a few months after she had come home to live with her mother. I was eight years old and my brother, Peter, was ten. In Sweden children sell books and magazines before Christmas to earn money. They have one or two catalogs and go door to door and take orders from people. Peter was doing this and on a visit to our cousins who lived on a farm outside of town, he decided he should bring his catalogs and try to sell something in that area. We were encouraged to visit all the farms in the neighborhood but, they said, don’t go to the little house in the forest. The ladies who live there are so poor, they wouldn’t have any money.

It was a dark afternoon in October, late enough in the year for people to begin to think about Christmas, but I think most of them had already placed their orders with someone else. I remember that we didn’t have much luck, if fact, we didn’t get any orders at all. We were pretty discouraged and thought that if we could just sell one little magazine we would be happy.

When we had been around to all the farms without any sales, my brother decided we should visit the two old ladies anyway. So we follow the path through the woods to the little house where they lived. It was dark and a little creepy when we walked up the overgrown path between the looming spruce trees. Soon we saw the gleam of an oil lamp in one of the windows of a small cabin. When we reached the stone steps we knocked cautiously on the door. The door opened and someone peeked out. When we told her why we had come, she invited us in. She stuttered and spoke with a loud, shrill voice, which frightened us a bit, but we gathered our courage and went inside the little house.  The lady who invited us in was Elsa.

We showed her our catalogs and asked if she would like to order anything from us. Elsa asked us to come into the kitchen. (The cabin had three small rooms. Inside the door was a small hallway. On the right was the kitchen that was about 20-25 square feet. On the left, behind a thick blanket, was the bedroom.) Elsa looked through the catalogs and began to order. I think she ordered one of each of the books in the catalog. (We didn’t know that Elsa had just recently come home after 32 years in an asylum where she wasn’t allowed to own anything, not even a postcard) We were just pleased and happy that we had made a good sale on an otherwise discouraging and dark October evening.

We thanked her, put our catalogs into our little bag and were just about to leave when we heard an eerie, ghostly voice call from the bedroom, “Elsa does not want any books, she doesn’t have any money!” That spooky voice coming from behind the blanket was too much for two small boys. We burst out through the door and ran as fast as we could through the forest, not stopping until we reached the main road. There we stood for a moment to catch our breath and consider what had just happened before we slowly and dejectedly walked back to our cousins’ farm. We never told anybody about our encounter,  neither did we order any books or magazines for Elsa.

Twenty-five years later I was commissioned to produce a documentary about Vårgårda and some of the interesting people who lived there. I had a long list of names of people I was supposed to interview. Working my way through the list I called each one and arranged a meeting. One of the names on the list was Elsa Lundh. I had not had any contact with her since that day when I was eight years old. I called Elsa and asked if I could come and film an interview with her. She said that would be great and we booked a time.

On the day of the interview I went to Elsa’s apartment, which was located near the center of town. I rang the doorbell and waited. It took awhile before I heard someone moving on the other side of the door and the sound of locks being opened. (Elsa was afraid of burglars so she had installed several extra locks on her door just to be on the safe side.) After several minutes I saw the doorknob turn and the door opened a crack. The opening widened just enough for a gnarled hand to reach through, one finger pointed right at me. Then I discovered the little hunch-backed woman inside. Before I could say a word I heard Elsa’s strong, shrill voice asking, ”Where are the books I ordered?”

Elsa forgave me, thank goodness. She understood why we hadn’t returned with the books she had ordered that Christmas in 1965. She also told me that she did, in fact, have money then. She had just begun to collect her pension.

More next week about working with Elsa. The movie “My Dear Elsa” tells her story from degradation to triumph. See it on DVD and Vimeo .

Thank You So Much!

Premiere "Himba - The Red People"
Premiere “Himba – The Red People” February 3, 2017, Vedum, Sweden

This weekend we held the premiere for our film, ”Himba – det röda folket” (Himba – The Red People), a film about a unique culture in southwest Africa. When I’ve been working on a production for several years and are finally ready to plan the premiere, expectations are high and I am always curious how the audience will respond. Will they react the way I’ve hoped? By that time I’ve seen the movie hundreds of times, back and forth, and am, quite honestly, sick to death of it. It’s hard for me to judge if it is any good. Technically I know that it is ok, but will the audience appreciate the film and understand the message.

Producing a film or writing a book has many challenges. It’s like wandering out into unknown territory and having to climb a mountain. In the beginning it is rather pleasant as you walk up the foot of the mountain, but after awhile the path becomes steeper and more rugged. It’s a long haul to the summit, and by the time you finally reach it your thoughts are muddled and you wonder if it was really worth the effort. Then suddenly the sun breaks through and the clouds dissipate to reveal an enchanted landscape. (The audience has stayed awake through the entire show and the first applause breaks out in the theater.) Yes! It was worth the effort. Descending the mountain is easier, but on the way down we see the next mountain looming in the distance. A new film awaits, a new story to be told.

During the first showings of any film I’ll stand in the darkness and study the faces in the audience. It is from their expressions that I’ll get the first indication of whether or not I have succeeded in getting my message across. I’m filled with a kind of apprehensive anticipation.

So how was the premiere weekend for “Himba – the Red People”? We’ve showed the film to a full house each evening and the response has been fantastic. We’ve been inundated in gratitude and have received many messages, emails and posts from people expressing their appreciation. We’ve also been asked to show the movie in other parts of Sweden. All anxiety about how the film will be received has evaporated and I realize that my efforts were not in vain.

I am very grateful to everyone who came to see the film during this premiere weekend. Special thanks to Christofer Wärnlöf and everyone at Häggatorp, who arranged a spectacular premiere party on Friday after the first show. Häggatorp’s Manor House, built in the 1700’s, was filled with people and music from the live African band, and we enjoyed a tasty buffet laid out in the charming dining room. I also want to express my immense appreciation to Namibia’s ambassador, Morina Muuondjo, and her staff who has been with us this weekend for the premiere. Ambassador Morina is a great inspiration for our work in Namibia.

Our next film premiere will be held in Cambridge, Minnesota on April 22. It is a wonderful story about Dr. Tom Coleman, a surgeon who spent a large part of his life working to save the lives of thousands of people in Ethiopia. “The Tom Coleman Story” is an extraordinary account of a remarkable man whom I will write more about in the coming weeks.

See the trailer for “The Tom Coleman Story” here.

World’s Greatest Job

Stefan Quinth standing on top of a mountain overlooking Frazer Lake, Kodiak, Alaska
Stefan Quinth, Kodiak, Alaska, 2006

My name is Stefan Quinth and I am a wildlife/documentary filmmaker. I’ve actually never been anything else. Well, except for the time I worked as a freelance journalist from 8th grade through high school. I wrote for local newspapers and sometimes had as many as four or five articles a day. I loved to tell stories and found it quite fulfilling to write about things I felt were important. But then, all of a sudden, a new media opened up to me–television.

I was 17 when I made my first film and sold it to Swedish Television. I mailed the film on a Tuesday and the very next morning the telephone rang. A woman on the other end asked very politely if they could please buy my film. No television company has every purchased a film from us that quickly since then ­– it was definitely a record, possibly a world record – but it convinced me that film is a great way to tell stories.

Working with film, music, or any other art form is exciting and when your artwork, in my case a film, is premiered and the audience reacts with laughter or tears at the right moment, it makes it all worth the effort. Few people realize just how much work goes into producing a film. I was packing up my equipment after showing a film somewhere in southern Sweden when an older woman approached me and complimented me on the film. I always enjoy interacting with my audience. The woman stood there for a moment more, eyeing me quizzically, before she asked, “But do you have a real job?”

I suppose it’s a valid question–even though I have produced hundreds of films for television, numerous educational films about geography and cultures, and many other films for various organizations. Can you really have this much fun and still call it a work? When I visit schools or universities to show films and talk about wildlife, nature or cultures, students will approach me and say, “You must have the greatest job in the world!” I would have to agree. Being a wildlife/documentary filmmaker is probably the greatest job you could have.

In future blogs I’ll tell you stories about a wonderful world, a world worth fighting for.